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Odd Lots

A collage overlays a sketchbook on colorful wallpaper
Jean Lurçat wallpaper, by Pierre Chareau, 1923, via Cooper Hewitt; Nancy Warren wallpaper, by United Wallpaper, 1947-57, via Cooper Hewitt; Otto Piene, Sketchbook, 1989, via Harvard Art Museums, fair use

Location

We’ll meet with Guillermo Ruiz and Jessica Kwok, and Ryanaustin Dennis at Storefront for Art & Architecture , at 97 Kenmare St (at Lafayette), at 4pm!


Agenda

This week we’ll think about misfit spaces, odd lots, and deviant plots — and we’ll consider how they have been and could be used as sites to foster knowledge creation and sharing. With Storefront’s curators, we’ll explore their new exhibition, Território Vivo, which examines “holistic school(s) rooted in Black cultural traditions and the spirit of the quilombo, where art, food, housing, and land are the grounds for communal life” — learning communities whose work could inform our own. In addition, we’ll consider Storefront’s legacy as a misfit institution and the archive documenting its work over the past four decades+. We’ll also imagine how such spatial strategies might apply to our own institutions and practices: how can we index the city’s anomalous plots, commandeer cubbies as reading nooks, appropriate under-stair lairs and crawl spaces for fugitive libraries or pop-up exhibitions, etc? What are the spatial qualities of the “undercommons” or the “loophole”?


Looking Ahead

The “Lotty Rosenfeld: Disobedient Spaces” exhibition, opening November 7 at Columbia’s Wallach Art Gallery, promises to illuminate many of our central interests!


To Prepare for Today


Fieldwork Documentation

A group of people milling about an exhibition in a triagular gallery with red walls; we see shelves of books to the left and various prints and artifacts on the wall to the right
The Misfits exploring the Território Vivo exhibition at Storefront for Art & Architecture. Photo by Shannon Mattern.
Foreground: a red shelf holding various musical instruments; wooden spoons hanging from the wall; behind: gallery visitors exploring wall displays
The Território Vivo exhibition at Storefront, featuring various musical instruments. Photo by Faye Yuan.
Cover page of "Nooks & Corners of Old New York" with black and red in and an NYPL stamp at the bottom
Charles Hemstreet, Nooks and corners of old New York (New York: Charles Scribner’s Sons, 1899); via Public Domain Review
Page from "Nooks & Corners of Old New York" with text and an illustration of an alleyway